Outdoor Movie “Night Buttoners,” directed by Petr Zelenkafrom 7:00 – 9:00 pm

Kool-Aid Wino exhibiting artist, Rotem Linial, will curate the second screening of Franklin Street Works outdoor film series on Thursday, September 12th. That evening will feature the 1997 Czech film, Buttoners, directed by Petr Zelenka.

Franklin Street Works is pleased to announce a series of three outdoor film screenings on its back patio during the month of September! As summer comes to a close and days become shorter, what could be better than cozying up outside and enjoying free outdoor films right in downtown Stamford? Thursday night screenings will take place on September 5th, 12th, and 19th from 7:00 – 9:00 pm. The film choices are inspired by Franklin Street Works’ current exhibition, Kool-Aid Wino, which foregrounds mistakes and missteps in contemporary art. A film expert will curate each screening for these casual, social events, which also promise to bring various perspectives and create new connections to the exhibition. These free, public events will include special cocktails inspired by each film and snacks such as popcorn and hotdogs for an all-American movie experience.

Kool-Aid Wino is an exhibition that explores the foregrounding of mistakes and missteps in contemporary art practices and features works by Anne Carson, Choi Dachal, Frank Heath, Owen Land, Rotem Linial, James Merrill, Alice Miceli, Jenny Perlin, and Aki Sasamoto, as well as an ikat silk suzani textile made in the early twenties. By highlighting or even celebrating errors, the art in this show redeem flaws, accentuate their value, and open up myriad new possibilities.

 

posted by Owner on September 12, 2013 at 7:00 pm

Outdoor Movie “Night Buttoners,” directed by Petr Zelenkafrom 7:00 – 9:00 pm

Kool-Aid Wino exhibiting artist, Rotem Linial, will curate the second screening of Franklin Street Works outdoor film series on Thursday, September 12th. That evening will feature the 1997 Czech film, Buttoners, directed by Petr Zelenka.

Franklin Street Works is pleased to announce a series of three outdoor film screenings on its back patio during the month of September! As summer comes to a close and days become shorter, what could be better than cozying up outside and enjoying free outdoor films right in downtown Stamford? Thursday night screenings will take place on September 5th, 12th, and 19th from 7:00 – 9:00 pm. The film choices are inspired by Franklin Street Works’ current exhibition, Kool-Aid Wino, which foregrounds mistakes and missteps in contemporary art. A film expert will curate each screening for these casual, social events, which also promise to bring various perspectives and create new connections to the exhibition. These free, public events will include special cocktails inspired by each film and snacks such as popcorn and hotdogs for an all-American movie experience.

Kool-Aid Wino is an exhibition that explores the foregrounding of mistakes and missteps in contemporary art practices and features works by Anne Carson, Choi Dachal, Frank Heath, Owen Land, Rotem Linial, James Merrill, Alice Miceli, Jenny Perlin, and Aki Sasamoto, as well as an ikat silk suzani textile made in the early twenties. By highlighting or even celebrating errors, the art in this show redeem flaws, accentuate their value, and open up myriad new possibilities.

 

Reception and Symposium for “Collective Action Archive” at Purchase College

A reception for the exhibition “Collective Action Archive” will take place at Purchase College’s Passage Gallery gallery on Wednesday, September 11, from 4:00 – 6:00 pm, followed by a symposium at the Neuberger Museum of Art Study (also on Purchase campus) of Purchase College from 6:00 – 8:00 pm. Both events are free and open to the public. The symposium will include author, artist, and activist Gregory Sholette; along with Lise Soskolne from Working Artists and the Greater Economy (W.A.G.E.); and Brian House of the Knifeandfork collective.

The New Media program at Purchase College, SUNY and Franklin Street Works, a contemporary art space in Stamford, CT, organized this group exhibition, which is on view at Purchase College’s The Passage Gallery, beginning September 6. Curated and coordinated by Purchase College faculty and students along with the Franklin Street Works team, the exhibition kicks off the 2013 season at the school’s student gallery. The show features ephemera, documentation, and publications that include photos, videos, zines, and books from more than 30 artist collectives from across the U.S., including Chicago, New York, Pittsburgh, Winston-Salem, and San Francisco. “Collective Action Archive” will be on view from September 6 – 29, 2013.

 

posted by Owner on September 11, 2013 at 4:00 pm

Reception and Symposium for “Collective Action Archive” at Purchase College

A reception for the exhibition “Collective Action Archive” will take place at Purchase College’s Passage Gallery gallery on Wednesday, September 11, from 4:00 – 6:00 pm, followed by a symposium at the Neuberger Museum of Art Study (also on Purchase campus) of Purchase College from 6:00 – 8:00 pm. Both events are free and open to the public. The symposium will include author, artist, and activist Gregory Sholette; along with Lise Soskolne from Working Artists and the Greater Economy (W.A.G.E.); and Brian House of the Knifeandfork collective.

The New Media program at Purchase College, SUNY and Franklin Street Works, a contemporary art space in Stamford, CT, organized this group exhibition, which is on view at Purchase College’s The Passage Gallery, beginning September 6. Curated and coordinated by Purchase College faculty and students along with the Franklin Street Works team, the exhibition kicks off the 2013 season at the school’s student gallery. The show features ephemera, documentation, and publications that include photos, videos, zines, and books from more than 30 artist collectives from across the U.S., including Chicago, New York, Pittsburgh, Winston-Salem, and San Francisco. “Collective Action Archive” will be on view from September 6 – 29, 2013.

 

Kool-Aid Wino Walking Tour with Curator Claire Barliant

Franklin Street Works presents a  guided tour of the current group exhibition, Kool-Aid Wino, with its curator, Claire Barliant, Saturday, September 7. The event begins at 5:30 and we will extend our hours through 7:00 pm for the tour and casual discussion over a thematic, complimentary cocktail.

A Brooklyn-based writer and curator, Barliant has written about art in publications such as Artforum, Art in America, and the New Yorker. This walkthrough will give visitors a rare opportunity to explore the art in Franklin Street Works’ three galleries with the show’s curator in a casual, conversational setting. Barliant will share her thinking on the exhibition’s theme and its artists.  Join us for this free, public event and hear more about the role of trial and error in contemporary art. This event program is made possible, in part, through a two-year grant from the Andy Warhol Foundation for the Visual Arts.


Kool-Aid Wino is an exhibition that explores the foregrounding of mistakes and missteps in contemporary art practices and features works by Anne Carson, Choi Dachal, Frank Heath, Owen Land, Rotem Linial, James Merrill, Alice Miceli, Jenny Perlin, and Aki Sasamoto, as well as an ikat silk suzani textile made in the early twenties. By highlighting or even celebrating errors, the art works in this show redeem flaws, accentuate their value, and open up myriad new possibilities. Barliant explains, “Cumulatively the works reminds us that uniqueness relies on flaws and our imaginative negotiation in, around, and through them.” The title of the show comes from a chapter in the book Trout Fishing in America by Richard Brautigan, who deliberately fudged words while writing in order to invent new ways of saying things. Kool-Aid Wino is on view through September 29, 2013.

ABOUT CLAIRE BARLIANT:

Claire Barliant has lived in New York City for the past fifteen years, except for seven months when she lived in Houston around 2004-05. Her various jobs during that time have included stamping words on rubber bands (when she worked for an artist who sold soaps, perfumes, and rubber bands with words stamped on them in upscale shops like Barney’s and Moss), fact-checking for the Village Voice, packing up props for a Wes Anderson film, and numerous editorial gigs at art magazines. Today she writes, edits, teaches, and curates.

posted by Owner on September 7, 2013 at 5:30 pm

Kool-Aid Wino Walking Tour with Curator Claire Barliant

Franklin Street Works presents a  guided tour of the current group exhibition, Kool-Aid Wino, with its curator, Claire Barliant, Saturday, September 7. The event begins at 5:30 and we will extend our hours through 7:00 pm for the tour and casual discussion over a thematic, complimentary cocktail.

A Brooklyn-based writer and curator, Barliant has written about art in publications such as Artforum, Art in America, and the New Yorker. This walkthrough will give visitors a rare opportunity to explore the art in Franklin Street Works’ three galleries with the show’s curator in a casual, conversational setting. Barliant will share her thinking on the exhibition’s theme and its artists.  Join us for this free, public event and hear more about the role of trial and error in contemporary art. This event program is made possible, in part, through a two-year grant from the Andy Warhol Foundation for the Visual Arts.


Kool-Aid Wino is an exhibition that explores the foregrounding of mistakes and missteps in contemporary art practices and features works by Anne Carson, Choi Dachal, Frank Heath, Owen Land, Rotem Linial, James Merrill, Alice Miceli, Jenny Perlin, and Aki Sasamoto, as well as an ikat silk suzani textile made in the early twenties. By highlighting or even celebrating errors, the art works in this show redeem flaws, accentuate their value, and open up myriad new possibilities. Barliant explains, “Cumulatively the works reminds us that uniqueness relies on flaws and our imaginative negotiation in, around, and through them.” The title of the show comes from a chapter in the book Trout Fishing in America by Richard Brautigan, who deliberately fudged words while writing in order to invent new ways of saying things. Kool-Aid Wino is on view through September 29, 2013.

ABOUT CLAIRE BARLIANT:

Claire Barliant has lived in New York City for the past fifteen years, except for seven months when she lived in Houston around 2004-05. Her various jobs during that time have included stamping words on rubber bands (when she worked for an artist who sold soaps, perfumes, and rubber bands with words stamped on them in upscale shops like Barney’s and Moss), fact-checking for the Village Voice, packing up props for a Wes Anderson film, and numerous editorial gigs at art magazines. Today she writes, edits, teaches, and curates.

Collective Action Archive at Purchase College, SUNY

ARCHIVE LINKS: Installation Photographs / Gallery Handout / Symposium / AFTERIMAGE review

The New Media program at Purchase College, SUNY and Franklin Street Works, a contemporary art space in Stamford, CT, will present a group exhibition, “Collective Action Archive,” at Purchase College’s The Passage Gallery, beginning September 6. Curated and coordinated by Purchase College faculty and students along with the Franklin Street Works team, the exhibition kicks off the 2013 season at the school’s student gallery. The show features ephemera, documentation, and publications that include photos, videos, zines, and books from more than 30 artist collectives from across the U.S., including Chicago, New York, Pittsburgh, Winston-Salem, and San Francisco.

“Collective Action Archive” will be on view from September 6 – 29, 2013. A reception will take place in the gallery on Wednesday, September 11, from 4:00 – 6:00 pm, followed by a symposium at the Neuberger Museum of Art Study (also on Purchase campus) of Purchase College from 6:00 – 8:00 pm. Both events are free and open to the public. The symposium will include author, artist, and activist Gregory Sholette; along with a member of Working Artists and the Greater Economy (W.A.G.E.); and one of the founding members of the Knifeandfork collective.

The Collective Action archive began in 2012 with Franklin Street Works’ call for materials, which was sent to more than 90 socially engaged artist collectives for the exhibition “Working Alternatives: Breaking Bread, Art Broadcasting and Collective Action” (October 27, 2012 – January 13, 2013). The Collective Action theme was inspired by Gregory Sholette’s writing on the Political Art Documentation/Distribution (PAD/D) archive in his book Dark Matter: Art and Politics in the Age of Enterprise Culture). PAD/D materials— now housed in the MoMA QNS library collection —include a variety of printed items and photographs from socially and politically active collectives working in the 1980s. For the “Working Alternatives” exhibition, the curators considered what a call for materials (similar to art historian Lucy Lippard’s PAD/D call in 1979) would yield. What could these new materials, gathered together, tell us about the strategies and organizational structures of politically active artist collectives more than 30 years later?

For the Purchase College redux, every collective in the archive will be on display simultaneously, with the majority of the items in the Collective Action Archive being featured. In addition to the greater breadth, the exhibition includes new items sent to Franklin Street Works in the last four months. Interpretive labels and a comprehensive gallery handout will augment the materials, contextualizing the work of these socially active artists who tackle topics ranging from fair artist compensation, to environmental responsibility and reproductive rights.

Collectives included in this exhibition are: ABC No Rio, Artists Against Apartheid, Big Tent, Conflict Kitchen, Critical Making, fierce pussy, Floating Lab Collective, Futurefarmers, Guerrilla Girls, Guffey Hollow, Howling Mob Society, Illegal Art, Just Seeds, Kitchen Sink, Knifeandfork, Lucky Pierre, M12 Collective, Meme Rider Media Team, National Bitter Melon Council, Okay Mountain Collective, Paper Tiger TV, Philly Stake, Preemptive Media, Publication Studio, Regional Relationships, Second Front, Students of the African Diaspora, subRosa, Temporary Services, The Pinky Show, W.A.G.E., and Work Progress Collective.

The “Collective Action Archive” exhibition team includes: Purchase College interns Stephen Barakat, Gina Mischianti, Bonnie Moncada, and Diogo Sales; Franklin Street Works staff members Sandrine Milet and Terri C Smith; and Brooke Singer, Associate Professor of New Media in the School of Film & Media Studies at Purchase College.

ABOUT THE SYMPOSIUM PANELISTS

Gregory Sholette: Gregory Sholette is a New York-based artist, writer and founding member of Political Art Documentation/Distribution (1980-1988) and REPOhistory (1989-2000). His most recent exhibition is Collectibles: Models, Action Figures, Objects (8/28-9/4) at Station Independent Projects, NYC, NY, and Imaginary Archive: Graz, Austria (9/21-11/2, 2013). The first chapter of his serial sci-fi graphic novel Double City appears in the Summer issue of Frieze, 201, and his recent books include Dark Matter: Art and Politics in an Age of Enterprise Culture (Pluto Press, 2010) and the co-authored book It’s The Political Economy, Stupid with Oliver Ressler, (Pluto 2013). Sholette is a frequent lecturer and seminar leader in the US and abroad, he teaches at Queens College CUNY where he recently co-founded the Social Practice Queens master’s concentration.

 

W.A.G.E.: Founded in 2008, Working Artists and the Greater Economy (W.A.G.E.) is a New York-based activist group whose advocacy is currently focused on regulating the payment of artist fees by non-profit art institutions and establishing a sustainable model for best practices between cultural producers and the institutions that contract their labor. Over the past 5 years they have delivered speeches, made videos, held open meetings, teach-ins, coffee klatches and workshops, wage-raging in panel discussions and symposia at museums, galleries, conferences, festivals, schools, summits, and art fairs. In 2010 they launched the W.A.G.E. Survey, which gathered data from visual and performing artists about their experiences with the payment practices of New York City non-profit arts organizations.

 

Knifeandfork: Brian House is a co-founder of Knifeandfork with Sue Huang. He is a media artist whose work traverses alternative geographies, experimental music, and a critical data practice. By constructing embodied, participatory systems, he seeks to negotiate between algorithms and the rhythms of everyday life. His work has been shown by MoMA (NYC), MOCA (LA), LACE, Ars Electronica, Eyebeam, Rhizome, Conflux Festival, ISEA, and Issue Project Room, among others, and has been featured in publications including WIRED, TIME, The New York Times, SPIN, Metropolis, and on Univision Sports. He is currently a doctoral student at Brown University in the Music and the Modern Culture and Media departments and teaches in the Digital + Media program at RISD.

posted by Owner on September 6, 2013 at 12:00 pm

Collective Action Archive at Purchase College, SUNY

ARCHIVE LINKS: Installation Photographs / Gallery Handout / Symposium / AFTERIMAGE review

The New Media program at Purchase College, SUNY and Franklin Street Works, a contemporary art space in Stamford, CT, will present a group exhibition, “Collective Action Archive,” at Purchase College’s The Passage Gallery, beginning September 6. Curated and coordinated by Purchase College faculty and students along with the Franklin Street Works team, the exhibition kicks off the 2013 season at the school’s student gallery. The show features ephemera, documentation, and publications that include photos, videos, zines, and books from more than 30 artist collectives from across the U.S., including Chicago, New York, Pittsburgh, Winston-Salem, and San Francisco.

“Collective Action Archive” will be on view from September 6 – 29, 2013. A reception will take place in the gallery on Wednesday, September 11, from 4:00 – 6:00 pm, followed by a symposium at the Neuberger Museum of Art Study (also on Purchase campus) of Purchase College from 6:00 – 8:00 pm. Both events are free and open to the public. The symposium will include author, artist, and activist Gregory Sholette; along with a member of Working Artists and the Greater Economy (W.A.G.E.); and one of the founding members of the Knifeandfork collective.

The Collective Action archive began in 2012 with Franklin Street Works’ call for materials, which was sent to more than 90 socially engaged artist collectives for the exhibition “Working Alternatives: Breaking Bread, Art Broadcasting and Collective Action” (October 27, 2012 – January 13, 2013). The Collective Action theme was inspired by Gregory Sholette’s writing on the Political Art Documentation/Distribution (PAD/D) archive in his book Dark Matter: Art and Politics in the Age of Enterprise Culture). PAD/D materials— now housed in the MoMA QNS library collection —include a variety of printed items and photographs from socially and politically active collectives working in the 1980s. For the “Working Alternatives” exhibition, the curators considered what a call for materials (similar to art historian Lucy Lippard’s PAD/D call in 1979) would yield. What could these new materials, gathered together, tell us about the strategies and organizational structures of politically active artist collectives more than 30 years later?

For the Purchase College redux, every collective in the archive will be on display simultaneously, with the majority of the items in the Collective Action Archive being featured. In addition to the greater breadth, the exhibition includes new items sent to Franklin Street Works in the last four months. Interpretive labels and a comprehensive gallery handout will augment the materials, contextualizing the work of these socially active artists who tackle topics ranging from fair artist compensation, to environmental responsibility and reproductive rights.

Collectives included in this exhibition are: ABC No Rio, Artists Against Apartheid, Big Tent, Conflict Kitchen, Critical Making, fierce pussy, Floating Lab Collective, Futurefarmers, Guerrilla Girls, Guffey Hollow, Howling Mob Society, Illegal Art, Just Seeds, Kitchen Sink, Knifeandfork, Lucky Pierre, M12 Collective, Meme Rider Media Team, National Bitter Melon Council, Okay Mountain Collective, Paper Tiger TV, Philly Stake, Preemptive Media, Publication Studio, Regional Relationships, Second Front, Students of the African Diaspora, subRosa, Temporary Services, The Pinky Show, W.A.G.E., and Work Progress Collective.

The “Collective Action Archive” exhibition team includes: Purchase College interns Stephen Barakat, Gina Mischianti, Bonnie Moncada, and Diogo Sales; Franklin Street Works staff members Sandrine Milet and Terri C Smith; and Brooke Singer, Associate Professor of New Media in the School of Film & Media Studies at Purchase College.

ABOUT THE SYMPOSIUM PANELISTS

Gregory Sholette: Gregory Sholette is a New York-based artist, writer and founding member of Political Art Documentation/Distribution (1980-1988) and REPOhistory (1989-2000). His most recent exhibition is Collectibles: Models, Action Figures, Objects (8/28-9/4) at Station Independent Projects, NYC, NY, and Imaginary Archive: Graz, Austria (9/21-11/2, 2013). The first chapter of his serial sci-fi graphic novel Double City appears in the Summer issue of Frieze, 201, and his recent books include Dark Matter: Art and Politics in an Age of Enterprise Culture (Pluto Press, 2010) and the co-authored book It’s The Political Economy, Stupid with Oliver Ressler, (Pluto 2013). Sholette is a frequent lecturer and seminar leader in the US and abroad, he teaches at Queens College CUNY where he recently co-founded the Social Practice Queens master’s concentration.

 

W.A.G.E.: Founded in 2008, Working Artists and the Greater Economy (W.A.G.E.) is a New York-based activist group whose advocacy is currently focused on regulating the payment of artist fees by non-profit art institutions and establishing a sustainable model for best practices between cultural producers and the institutions that contract their labor. Over the past 5 years they have delivered speeches, made videos, held open meetings, teach-ins, coffee klatches and workshops, wage-raging in panel discussions and symposia at museums, galleries, conferences, festivals, schools, summits, and art fairs. In 2010 they launched the W.A.G.E. Survey, which gathered data from visual and performing artists about their experiences with the payment practices of New York City non-profit arts organizations.

 

Knifeandfork: Brian House is a co-founder of Knifeandfork with Sue Huang. He is a media artist whose work traverses alternative geographies, experimental music, and a critical data practice. By constructing embodied, participatory systems, he seeks to negotiate between algorithms and the rhythms of everyday life. His work has been shown by MoMA (NYC), MOCA (LA), LACE, Ars Electronica, Eyebeam, Rhizome, Conflux Festival, ISEA, and Issue Project Room, among others, and has been featured in publications including WIRED, TIME, The New York Times, SPIN, Metropolis, and on Univision Sports. He is currently a doctoral student at Brown University in the Music and the Modern Culture and Media departments and teaches in the Digital + Media program at RISD.

Movie Nights: September 5th, 12th, and 19th

Franklin Street Works is having a series of three outdoor film screenings on its back patio during September! As summer comes to a close and days become shorter, what could be better than cozying up outside and enjoying free outdoor films right in downtown Stamford? Thursday night screenings will take place on September 5th, 12th, and 19th from 7:00 – 9:00 pm. The film choices are inspired by Franklin Street Works’ current exhibition, Kool-Aid Wino, which foregrounds mistakes and missteps in contemporary art. A film expert will curate each screening for these casual, social events, which also promise to bring various perspectives and create new connections to the exhibition. These free, public events will include special cocktails inspired by each film and snacks such as popcorn and hotdogs for an all-American movie experience.

The first film, Buster Keaton’s critically acclaimed classic The General (1926), will be shown at 7:00 pm on September 5th. It was chosen by Erin Shea, a Stamford, Connecticut, resident and the curator of Darien Library’s film series, “Friday Night Features.” Ripe with foregrounded mistakes, the film will provide silent movie slapstick through brilliant physical humor. It’s no small feat to make a pie-in-the-face funny, but the physical humor replete in classic silent films still holds up today. In one of the most famous chase scenes in film history, pretty much everything goes wrong and it is a delight watching Keaton try to make up for it.

Kool-Aid Wino exhibiting artist, Rotem Linial, will curate the second screening on Thursday, September 12th. That evening Franklin Street Works will feature the 1997 Czech film, Buttoners, directed by Petr Zelenka. A third guest curator (TBA) will choose the final film, scheduled for September 19th.

Kool-Aid Wino is an exhibition that explores the foregrounding of mistakes and missteps in contemporary art practices and features works by Anne Carson, Choi Dachal, Frank Heath, Owen Land, Rotem Linial, James Merrill, Alice Miceli, Jenny Perlin, and Aki Sasamoto, as well as an ikat silk suzani textile made in the early twenties. By highlighting or even celebrating errors, the art in this show redeem flaws, accentuate their value, and open up myriad new possibilities.

 

posted by Owner on September 5, 2013 at 7:00 pm

Movie Nights: September 5th, 12th, and 19th

Franklin Street Works is having a series of three outdoor film screenings on its back patio during September! As summer comes to a close and days become shorter, what could be better than cozying up outside and enjoying free outdoor films right in downtown Stamford? Thursday night screenings will take place on September 5th, 12th, and 19th from 7:00 – 9:00 pm. The film choices are inspired by Franklin Street Works’ current exhibition, Kool-Aid Wino, which foregrounds mistakes and missteps in contemporary art. A film expert will curate each screening for these casual, social events, which also promise to bring various perspectives and create new connections to the exhibition. These free, public events will include special cocktails inspired by each film and snacks such as popcorn and hotdogs for an all-American movie experience.

The first film, Buster Keaton’s critically acclaimed classic The General (1926), will be shown at 7:00 pm on September 5th. It was chosen by Erin Shea, a Stamford, Connecticut, resident and the curator of Darien Library’s film series, “Friday Night Features.” Ripe with foregrounded mistakes, the film will provide silent movie slapstick through brilliant physical humor. It’s no small feat to make a pie-in-the-face funny, but the physical humor replete in classic silent films still holds up today. In one of the most famous chase scenes in film history, pretty much everything goes wrong and it is a delight watching Keaton try to make up for it.

Kool-Aid Wino exhibiting artist, Rotem Linial, will curate the second screening on Thursday, September 12th. That evening Franklin Street Works will feature the 1997 Czech film, Buttoners, directed by Petr Zelenka. A third guest curator (TBA) will choose the final film, scheduled for September 19th.

Kool-Aid Wino is an exhibition that explores the foregrounding of mistakes and missteps in contemporary art practices and features works by Anne Carson, Choi Dachal, Frank Heath, Owen Land, Rotem Linial, James Merrill, Alice Miceli, Jenny Perlin, and Aki Sasamoto, as well as an ikat silk suzani textile made in the early twenties. By highlighting or even celebrating errors, the art in this show redeem flaws, accentuate their value, and open up myriad new possibilities.

 

Buster Keaton, The General, Outdoor Movie Screening 7:00 -9:00pm

Franklin Street Works will present Buster Keaton’s critically acclaimed classic The General (1926), at 7:00 pm on September 5th. It was chosen by Erin Shea, a Stamford, Connecticut, resident and the curator of Darien Library’s film series, “Friday Night Features.” Ripe with foregrounded mistakes, the film will provide silent movie slapstick through brilliant physical humor. It’s no small feat to make a pie-in-the-face funny, but the physical humor replete in classic silent films still holds up today. In one of the most famous chase scenes in film history, pretty much everything goes wrong and it is a delight watching Keaton try to make up for it.

The movie is part of a series of three outdoor film screenings on Franklin Street Works’ back patio during the month of September! As summer comes to a close and days become shorter, what could be better than cozying up outside and enjoying free outdoor films right in downtown Stamford? Thursday night screenings will take place on September 5th, 12th, and 19th from 7:00 – 9:00 pm. The film choices are inspired by Franklin Street Works’ current exhibition, Kool-Aid Wino, which foregrounds mistakes and missteps in contemporary art. A film expert will curate each screening for these casual, social events, which also promise to bring various perspectives and create new connections to the exhibition. These free, public events will include special cocktails inspired by each film and snacks such as popcorn and hotdogs for an all-American movie experience.

Kool-Aid Wino is an exhibition that explores the foregrounding of mistakes and missteps in contemporary art practices and features works by Anne Carson, Choi Dachal, Frank Heath, Owen Land, Rotem Linial, James Merrill, Alice Miceli, Jenny Perlin, and Aki Sasamoto, as well as an ikat silk suzani textile made in the early twenties. By highlighting or even celebrating errors, the art in this show redeem flaws, accentuate their value, and open up myriad new possibilities

posted by Owner on at 7:00 pm

Buster Keaton, The General, Outdoor Movie Screening 7:00 -9:00pm

Franklin Street Works will present Buster Keaton’s critically acclaimed classic The General (1926), at 7:00 pm on September 5th. It was chosen by Erin Shea, a Stamford, Connecticut, resident and the curator of Darien Library’s film series, “Friday Night Features.” Ripe with foregrounded mistakes, the film will provide silent movie slapstick through brilliant physical humor. It’s no small feat to make a pie-in-the-face funny, but the physical humor replete in classic silent films still holds up today. In one of the most famous chase scenes in film history, pretty much everything goes wrong and it is a delight watching Keaton try to make up for it.

The movie is part of a series of three outdoor film screenings on Franklin Street Works’ back patio during the month of September! As summer comes to a close and days become shorter, what could be better than cozying up outside and enjoying free outdoor films right in downtown Stamford? Thursday night screenings will take place on September 5th, 12th, and 19th from 7:00 – 9:00 pm. The film choices are inspired by Franklin Street Works’ current exhibition, Kool-Aid Wino, which foregrounds mistakes and missteps in contemporary art. A film expert will curate each screening for these casual, social events, which also promise to bring various perspectives and create new connections to the exhibition. These free, public events will include special cocktails inspired by each film and snacks such as popcorn and hotdogs for an all-American movie experience.

Kool-Aid Wino is an exhibition that explores the foregrounding of mistakes and missteps in contemporary art practices and features works by Anne Carson, Choi Dachal, Frank Heath, Owen Land, Rotem Linial, James Merrill, Alice Miceli, Jenny Perlin, and Aki Sasamoto, as well as an ikat silk suzani textile made in the early twenties. By highlighting or even celebrating errors, the art in this show redeem flaws, accentuate their value, and open up myriad new possibilities

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