Leslie Wayne Artist Talk

Program Date: January 31, 2015 at 4:00 pm

New York artist Leslie Wayne will speak about her work as part of “About Like So: The Influence of Painting” exhibition. The event includes a talk from 4:00 – 5:00, followed by  a casual Q & A and a social gathering in the café from 5:00 – 6:00pm.

Leslie Wayne will speak about her current body of work, entitled Paint/Rags, which are on view in Franklin Street Works’ current exhibition, “About Like So: The Influence of Painting.” At first glance, these three-dimensional paintings appear to be painted fabrics hanging on a hook. In reality, they have no cloth or canvas behind them and are made entirely of paint. The perceptual double-take Wayne creates gives rise to questions about context, about the value of art and everyday objects, and the nature of painting. Wayne will speak about her process, about the symbiotic relationship between process and ideas, and about her personal history that lead to this work.

“About Like So: The Influence of Painting” is a group exhibition that explores how the histories, forms, materials and other qualities associated with painting inform conceptual art practices today. The exhibition, curated by Terri C Smith, aims, in part, to challenge expectations of painting, which are often attached to historic movements, decorative qualities or romantic notions of the artist in his or her studio. “About Like So” features works that use paint in unorthodox ways or bypass the medium all together to reveal how the “language of painting” can invade, obstruct and enhance other art forms. This exhibition asks, “In an era where painting no longer has the art historical primacy it once did, what can it contribute to the dominant art practices of today – art that is often not medium specific and is rooted in the theory-driven practices of conceptual art?”

“About Like So: The Influence of Painting” is on view at Franklin Street Works through February 22, 2015. Exhibiting artists include: Polly Apfelbaum, Paul Branca, Taylor Davis, Tim Davis, Marley Freeman, Ragnheiour Gestsdottir, Michael Graeve, Dave Hardy, Alex Hubbard, John Knuth, Sophy Naess, Tameka Norris, Peter Nowogrodzki/Max Kotelchuck, Seth Price, Paul Theriault, Brad Tucker, Siebren Versteeg, Augustus Thompson, Leslie Wayne, “in actu: music and painting” (K.R.H. Sonderborg, Wolfgang Hannen, Günter Christmann and Paul Lovens).

About Leslie Wayne: Leslie Wayne was born in Germany in 1953, and grew up in California. She currently lives and works in New York. Wayne studied painting at the University of California, Santa Barbara, from 1971 to 1973, and she received a BFA in sculpture at The Parsons School of Design. Wayne is the recent recipient of a Joan Mitchell Foundation Artists grant, and has received awards from the Pollock-Krasner Foundation, the Adolph and Esther Gottlieb Foundation, the Buhl Foundation, The New York State Council on the Arts, and the New York Foundation for the Arts. Her work is in the public collections of The Birmingham Museum of Art, Birmingham, AL, the Corcoran Gallery of Art, Washington DC, Fondation Cartier pour d’art Contemporain, Paris, France, La Collection Jumex, Mexico City, Mexico, the Miami Museum of Contemporary Art, Miami, FL, the Neuberger Museum of Art, Purchase, New York, and the Portland Museum of Art, Oregon, among others. Leslie Wayne is represented by Jack Shainman Gallery, New York.

 


The programs at Franklin Street Works are explorations of creative projects that inspire contemporary art enthusiasts to come together in conversation.

Exhibition Programming

Exhibition programming expands on the art space’s original shows through a closer look at the art on view, stimulating conversations surrounding the exhibition’s theme. For our exhibition programming, Franklin Street Works connects communities with artists, curators, and innovative cultural producers via free public workshops, performances, and talks. These efforts elucidate each exhibition by going more deeply into its intentions and adding discursive content through educational and social interactions.

Exhibition programs include artists’ presentations, tours, performances, and hands on activities, such as artist Emily Larned’s book binding workshop. Notable participatory performances include Trisha Baga’s “The Garden Party” — where the public joined in the artist’s parade from Franklin Street Works to the Landmark Square building in Downtown Stamford, Connecticut; and David Horvitz’s “Honey Locust Tree Relocation” project where participants from Connecticut and New York carried more than thirty Honey Locust tree saplings from Clocktower Gallery in New York City to their new home at Franklin Street Works. Generative, cross-disciplinary programs are another way Franklin Street Works explores the relevance of contemporary art, such as the 2013 exhibition-inspired poetry reading and zine featuring texts by UConn, Stamford, writing students.

Ongoing Programming

The ongoing programs at Franklin Street Works are community-building events that show the breadth of cultural production in and around Fairfield County. For our ongoing programming, Franklin Street Works has featured VJs, musicians, novelists, DJs, website designers, artists, writers, and filmmakers from the region in one-night events that showcase their efforts at different phases of development. In-progress programs include events such as artist Renee Kahn workshopping a new, immersive installation and receiving audience feedback. Finished projects have included Kent Evans’ performance using text from his published book and a talk by two website designers about their online projects.

Emily Larned’s book binding workshop

The Garden Party with Trisha Baga

Honey Locust Tree Relocation

UConn reading