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Franklin Street Works presents It Narratives: The Movement of Objects as Information, an exhibition featuring artists’ projects that engage the postal system and its intersections with digital communications media. The artists in It Narratives find forms for everyday experiences of distance and time by reflecting on the way objects move through information networks. The exhibition is curated by New York-based guest curators Brian Droitcour and Zanna Gilbert and is on view from September 6 – November 9, 2014.

With areas of expertise in mail art (Gilbert) and Internet art (Droitcour), the curators take into consideration how Internet technology and digital forms of commerce have changed the way artists use the postal system. Mail art emerged in the late 1960s as a collective, networked medium allowing artists to circulate and exchange works and ideas in a sphere uncontrolled by curators, institutions, the art market, or state censorship. Today, mail is employed less frequently as an artistic medium, in keeping with an overall shift in how information is experienced and exchanged. News and greetings from friends and family have migrated from the postal system to the faster networks of email and social media, yet “snail mail” has not become obsolete. Sending objects over great distances is part of online commerce. Print-on-demand services that allow users to design their own T-shirts, books, or mugs with a few clicks of a mouse connect Internet browsing and data input to receiving objects by mail and handling them in everyday life.

It Narratives: The Movement of Objects as Information takes its title from a prose genre popular in the late 18th century, the “it-narrative.” These were accounts of objects circulating in the structures of emergent industrialized capitalist markets written in the first-person from the perspective of the objects. It Narratives the exhibition updates this concept for the 21st century by presenting artists’ projects that track the movement of objects online and by mail, taking measure of the physical and emotional experiences of time and distance inherent to these networks.

Participants include: Greg Allen, Tyler Coburn, Tim Devin, Yevgeniy Fiks, Lukas Geronimas, Frank Heath, David Horvitz, Jean Keller, Alexandra Lerman, Kristin Lucas, Cat Mazza, Kristina Lee Podesva and Alan McConchie, Paul Soulellis, Emily Spivack, The Thread, Ehren Tool, Print All Over Me, Forms of Melancholy, Lance Wakeling, Roberto Winter.

ABOUT THE CURATORS:

Brian Droitcour is a writer, translator, curator, critic, and a PhD candidate in comparative literature at New York University. Previous exhibition projects include “BFFA3AE – DTR” at 47 Canal in New York and “Big Reality” at 319 Scholes in Brooklyn. He has contributed reviews and essays to Artforum, Art in America, and Rhizome, among other publications. He has been yelping since January 2012 and his account was awarded Elite status last year. His web site fifteenstars.com, a collection of found Yelp reviews with commissioned illustrations and an accompanying essay, was featured as part of the New Museum’s First Look series of online exhibitions in October 2013. Among other projects, Brian is currently editing Klaus_ebooks, a series of artists’ ebooks published by Klaus von Nichtssagend Gallery.

Zanna Gilbert is a postdoctoral fellow at The Museum of Modern Art (MoMA) in New York and she holds a PhD from the University of Essex and Tate Research in the UK. Her research focuses on artists’ networks and the transnational circulation of art through the mail. She curated the exhibitions Felipe Ehrenberg: Works from the Tate Archive (2009), Intimate Bureaucracies: Art and the Mail (2011), Contested Games: Mexico 68’s Design Revolution (2012), Daniel Santiago: Brazil is my Abyss (MAMAM, Recife, 2012; MAC-Niteroi, Rio, 2014) and Edgardo Antonio Vigo: The Unmaker of Objects (MoMA, 2014). She has taught postgraduate courses at the University of Essex, UK and the National Autonomous University of Mexico (UNAM).

ABOUT OUR SPONSORS

This exhibition is sponsored, in part, by the Andy Warhol Foundation for the Visual Arts.

Thank you to our in-kind sponsor, MakerBot Store, Greenwich, CT. MakerBot is leading the Next Industrial Revolution by setting the standard in reliable and affordable desktop 3D printing, scanning, and entertainment. MakerBot Store, Greenwich, CT is located at 200 Greenwich Avenue, Greenwich CT, 06830.


SAVE THE DATE: OUR NEXT EXHIBITION OPENING RECEPTION, NOVEMBER 22, 5-8PM

Franklin Street Works next exhibition explores what happens when painting breaks out of its frames, canvases and other supports. The show, which is on view from November 22, 2014 – February 22, 2015 aims to dismantle the romantic notions of painting through unorthodox use of paint or by bypassing the medium all together to reveal how “the language of painting” invades, obstructs and enhances other media such as video, sound, and sculpture.

Polly Apfelbaum, Split Station, 2014, courtesy of Clifton Benevento

It isn’t news that painting, like sculpture, has entered an expanded field where its forms and functions are shifting and are no longer limited by the illusionistic window of a rectangular canvas or the isolation of a studio practice.  But in an era where painting no longer has the art historical primacy it once did, what can it contribute to the dominant art practices of today – art that is often not medium specific and is rooted in the theory-driven practices of conceptual art?

The artists in this exhibition embrace virtually every medium. The works include: videos that mix music with action painting and that narrate the fictitious plight of a figurative painter working in Venice; sound installations that allude to abstract painting via blocks of color and overlaying of tones; box sculptures where a homemade potholder becomes an abstract painting on the front while crossed bars in the box’s back allude to hanging devices (hooks, wires, D-rings) that are often hidden by the museum wall; and “paint rags” made of a thick layering of paint, seemingly peeled from an artist’s pallet and hung on a hook.

Exhibiting artists: Polly Apfelbaum, Paul Branca, Taylor Davis, Tim Davis, Marley Freeman, Ragnheiour Gestsdottir, Michael Graeve, Dave Hardy, Alex Hubbard, John Knuth, Sophy Naess, Tameka Norris, Peter Nowogrodzki/Max Kotelchuck, Seth Price, Paul Theriault, Brad Tucker, Siebren Versteeg, Augustus Thompson, Leslie Wayne, Addie Wagenknecht, “in actu: music and painting.”

 

Franklin Street Works interviewed on WPKN and a feature in the Stamford Advocate!

Franklin Street Works’ Creative Director Terri C Smith talks with Jennifer Bangser from the Cultural Alliance of Fairfield County on WPKN. Click HERE to listen!

Also, check out Scott Gargan’s article on The Sunken Living Room HERE.