March 7, 2015 – May 24, 2015
“It’s gonna take a lotta love” is a group exhibition that explores ideas about inclusivity, authenticity, and commonality in an age of anxiety, isolated individualism, and virtually lived experience. The show is on view from March 7 – May 24, 2015, and is curated by Liza Statton and Terri C. Smith.
The artists in “It’s gonna take a lotta love” avoid the detachment and slick seduction of the screen-based technologies that characterize our attention economy. Yet, rather than critiquing the sensationalist strategies embedded in the ever-expanding social media and advertising industries, they pursue modes of art-making that focus on the aesthetic and conceptual potential of society’s offcuts. These artists also share a type of tragic-comic vision of contemporary culture. Humor, joy, and melancholy, among others, mix easily in their work. Such emotional credibility creates a slippage between empathy and alienation.
Some artists create this slippage by making and re-making objects using seemingly inconsequential materials. Wayne White paints witty and sometimes biting phrases on found paintings of pastoral landscapes and rustic barns. Andy Coolquitt resituates familiar materials such as vinyl records, lightbulbs, synthetic shag fabric, and books-on-tape into installations that are inspired by functions and spaces outside of the gallery. His works articulate a tension between the familiarity of our real lives and the exclusive domain of the white cube gallery. Whiting Tennis creates drawings, paintings and sculptures that pit Modernist art’s fascination with pure form against an intentionally personal mode of a hobbiest aesthetic that wrestles with ideas of concealment and containment.
Other artists such as Jon Campbell, Stephen Vitiello, and Jeremy Deller create subtle interventions using everyday language and music. Deller’s poster “Attention all DJs” takes on the form of a handwritten sign with tongue-in-cheek instructions for DJs. Jon Campbell’s “four letter word flags” brightly declare words like “Yeah,” “Home,” and “Want.” By inserting his word flags between country, state, or corporate flags in a city, Campbell prompts passerby to ask if the words we all use are worthy of a public format usually saved for pageantry or branding. Stephen Vitiello’s sound works in “It’s gonna take a lotta love” appropriate commercial music from well-known singers. With “Dolly Ascending” Vitiello slows down Dolly Parton singing “Stairway to Heaven” to the point where it sounds like choral music. In A.L. Steiner + Robbinschild’s “C.L.U.E. Part I” video two women perform dance infused movements in backdrops of natural and built environments, connecting color, action, attitude, and environment in a straightforward way that includes the audience in their choreographed antics.
Exhibiting Artists: Jon Campbell (Melbourne, Australia), Andy Coolquitt (Austin/NYC), Jeremy Deller (London), Jessica Mein (NYC), A.L. Steiner + Robbinschilds (NYC), Whiting Tennis (Seattle), Stephen Vitiello (Richmond, VA), and Wayne White (LA).
Jon Campbell, Andy Coolquitt, Jeremy Deller, Stephen Vitiello, Jessica Mein, A.L. Steiner + Robbinschilds, Whiting Tennis, and Wayne White.
Liza Statton & Terri C. Smith